Danielle Steele, Director
Open to all students by audition, this SATB large ensemble performs widely varied repertoire, both secular and sacred, from throughout Western music history, as well as music from non-Western traditions. Recent masterworks performances include Handel’s Messiah, Lauridsen’s Lux aeterna and Midwinter Songs, Orff’s Carmina Burana and Tippett’s A Child of Our Time, as well as William Culverhouse’s own Requiem for chorus and harp. Performances also include choral compositions by Arab, African, Canadian, Cuban, Latvian and Russian composers, often featuring world percussion and traditional instruments. The Concert Choir also collaborates with living composers, having recently premiered Forrest Tobey's Keeping Still and David Arbury's Trade Winds, and having participated in residencies with Shireen Abu-Khader and Mari Valverde. The Concert Choir performs on campus, in the community and on tours of the Midwest and East Coast including Boston, Chicago, Cincinnati, Indianapolis, New York, Philadelphia, and Washington, D.C.
Danielle Steele, Director
Open to all self-identified women by audition, this SSAA ensemble explores music from around the world, focusing on music by living composers and promoting the works of today’s most talented female composers such as Mari Valverde, Joan Szymko, Abbie Betinis and Jocelyn Hagen. The Women’s Chorus performs repertoire from all time periods, both sacred and secular, including classical and non-Western selections, learning traditional vocal production from countries such as Georgia, Serbia and Bulgaria. Recent performances include Randall Thompson’s Place of the Blest, Holst’s eight-part Ave Maria, and the original SSAA version of Vivaldi’s Gloria with orchestra. The Women’s Chorus engages with its community through collaborations with regional symphony orchestras, Cincinnati’s premier women’s chorus, MUSE, participation in International Women’s Week concerts at Ball State University and at Centerville High School, as well as fundraising concerts for the Genesis Women’s Shelter. The Women’s Chorus performs on campus as well as on tours of the Midwest and East Coast including Boston, New York City, Philadelphia, and Washington, D.C.
Open to current members of Concert Choir and Women’s Chorus by audition, this highly selective, small SATB ensemble focuses on the rich repertoire of 16th-century madrigals from a variety of countries and also performs repertoire from other time periods and genres, including Baroque music, vocal jazz and music by living composers. Recent works of note include Victoria’s Missa O Quam Gloriosum, Poulenc’s Un soir de neige, Lauridsen’s Chansons des Roses and Madrigali: Six Fire Songs, and Hindemith’s Six Chansons on the poetry of Rilke. The Madrigal Singers often perform for special Earlham events and off-campus engagements. Recently, the group was invited to a master class with the Rose Ensemble.
Open to current self-identified male members of Concert Choir by audition, this selective TTBB quartet performs a variety of styles ranging from Renaissance music to barbershop quartet repertoire, sea shanties and pop music, drawing inspiration from groups such as The King's Singers and Chanticleer. Strong, dynamic, engaging solo singers are encouraged to audition for this ensemble, as there are opportunities for special performances on and off campus that often include solo performance opportunities.
Patrick Piper, Director
Open to all students as well as faculty and community members without audition, this ensemble performs traditional and contemporary African-American gospel music, both a cappella and accompanied. On-campus and outreach performances include Soul to Sole, Gospel Revs’ yearly collaboration with Dance Alloy, Earlham’s student-led dance troupe.
Earlham Choirs regularly collaborate with Indiana University East and community members to produce larger-scale works with instrumental ensemble or orchestra. If you are an Earlham faculty member or Richmond community member, this group is open to both amateur and professional singers by audition. Traditionally, this group rehearses once a week with performances in late April. Recently, the Richmond Chorale has participated in performances of Handel’s Messiah, Lauridsen’s Lux aeterna and Midwinter Songs, Orff’s Carmina Burana and Tippett’s A Child of Our Time, as well as William Culverhouse’s own Requiem for chorus and harp.